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Feuermann plays Dvorak and Popper

2008 Superbowl commercials
2008 Superbowl commercials 2008 Superbowl commercials
2008 Superbowl commercials

The great cellist Emanuel Feuermann plays Dvorak's Rondo Op. 94 and Popper's Spinning Song, with Theodore Saidenberg at the piano. This film was made in 1939 and is by far the only clip that has survived.

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: marking19

Length: 07:06
Rating: 4.71
Views: 59591

Tags: 1939  cellist  cello  Classical  Dvorak  Emanuel  Feuermann  maestro  Music  Popper  Rondo  Song  Spinning  Virtuoso  

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Video Comments

nicolysis (November 30, 1999 at 12:00 am)
I read somewhere that the reason his stare is so blank is because the man handling the camera asked him to remove his glasses due to the glare. And he had poor eyesight (in addition to being colorblind). Though, I cannot say where I read this so don't take my word for it.
Pappythapapsta (November 30, 1999 at 12:00 am)
i agree have you ever seen the second cello part for his suite for two cellos, the last movement of that song was actually dubbed impossible and popper was forced to rearrange it for piano
giradestra (November 30, 1999 at 12:00 am)
Che nobiltà!!!! non esiste più nessuno così. ah! i musicisti di allora... tristesse!!!
CelloNerd314 (November 30, 1999 at 12:00 am)
how wonderful! What a revelation for all musicians.
thearsonette (November 30, 1999 at 12:00 am)
inhuman ... this is amazing
histerics3 (November 30, 1999 at 12:00 am)
how does one "play with greater emotion?" Is emotion quantifiable, like the mass of an object? In any case, technique and musical expression are one in the same, if a player separates them from each other, that player's playing will be out of balance.
robg8415 (November 30, 1999 at 12:00 am)
Thanks for posting this excellent video. I've been reading a biography of Feuermann by Morreau. One amusing tidbit is that his unbelievable ease in the highest positions had its origins when as a very young child, he tried to imitate the show pieces played by his older brother Sigmund, who was also a child prodigy, but on the violin. Sibling rivalry put to good use, I guess. Later on, the book quotes cellists such as Starker and Greenhouse on the distinguishing aspects of his playing.
Thomascello (November 30, 1999 at 12:00 am)
I think the version which is in your score is the original; I played that piece too and I never heard this Feuermann-Version.... Maybe he did it to get more sound in comparation to the piano; I don't know.
kumansky (November 30, 1999 at 12:00 am)
joeschmeaux, I agree with you completely!
odzinna (November 30, 1999 at 12:00 am)
smaga haljava

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